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Uvagut: People from the Far North
Karim Rholem

December 13, 2001 to January 27, 2002

Gamilie Akeeagok 66 years old, died in 1997; Aujuittuuq (Grey Fjord) photo: Karim Rholen 1996/2001

Artist's Statement

Uvagut (which means Us in the Inuit language) is an homage to the Inuit people, with whom I shared daily life for two years.

From 1994 to 1996, I lived in various Inuit communities in Nunavut. Life there is organized much the same as in any modern society. However, the Inuit remain very close to nature. Stronger than any other emotion for them is their deep connection to the tundra, the ice floes, and the animals with whom they share the land. This feeling persists even among the young people, who no longer depend solely on hunting as did previous generations. Four thousand years of surviving harsh conditions and intense cold have forged an inseparable bond between the Inuit and their natural surroundings.

This enduring reality is evident in their words and their actions. Through my many encounters with the Inuit people, I was able to experience first-hand the many aspects of their current way of life. These people, who have remained my friends, welcomed me into their homes, fed me and took me hunting, treating me almost as though I were one of them. For many Inuit, hunting remains an essential source of food, and meat is the mainstay of their diet.

Hunting is not a sport or a hobby here; it is necessary to feed your family. Some of the Inuit women use the skins of caribou, seals and polar bears to make the traditional garments that are still so indispensable to protect against the cold. The traditional Inuit garments remain essential for winter expeditions on the ice floes and tundra. It is the women who carry on this ancient art requiring patience and dexterity.
As I observed these men and women, I realized that what fascinated me most in this land were the Inuit people themselves- even more than the landscapes, the cold, or the social problems experienced by Inuit communities. They carried with them their own life experiences and those of their ancestors. Each Inuk expressed the beauty of the whole people and their culture.

— Karim Rholem

 
Biography

Originally from Morocco, Karim Rholem has been living and working in Montreal since 1985. He finds his inspiration with human beings and the lives they lead, and is passionately interested in society and its diversity. Between 1994 and 1996, he lived with the Inuit, nomads of the snow and ice, in various Nunavut communities. From this long journey an exhibition was born: Uvagut, portrait d'un peuple.
In 1998, he photographed a series of people of nineteen different nationalities, all immigrants living in Montreal, presented in an exhibition entitled Si loin, si proche, mémoires d'un siècle. Each portrait is accompanied by personal testimony.

1999 was declared the International Year of the Elderly by the United Nations. Karim Rholem combed Quebec's seventeen regions looking for men and women who had made the journey across the century, bringing us 100 ans d'histoires à raconter, a portrait of Quebec as it once was.

The artist is also interested in young Quebecois families with many children. This phenomenon, a rarity today, became a project entitled Un air de famille. Another of his anthropological photo studies was entitled Le poids du destin, which was about elderly men and women in Morocco who carry heavy loads of garbage to recycling plants in exchange for a meagre sum.

Some of his work is included in the photography collection of the National Archives of Canada, Museum of Civilisation, and in a number of private collections. Recently, his work was presented in Musée des civilisations of Hull, Musée d'art de Mont-St-Hilaire and in many Maisons de la culture. In March 2001, the book Uvattinnit, Le Peuple du Grand Nord by Karim Rholem was published by Stanké.

 

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