Eminem: Still the best!

Love him or hate him, Eminem aka Marshall Mathers, is arguably one of the most successful, and with that, most controversial rap artists in history. Not only is he one of the first white rappers to be accepted into the hip-hop community, his career is continually subjected to intense media scrutiny. Multi-million record sales and multiple Grammy wins aside, he has enjoyed widely-covered confrontations with pop stars, on-going lawsuit battles with his ex-wife and mother, and has been called everything from being gratuitously offensive and violent to being branded as a serial homophobe and a misogynist.
Needless to say, these are not the reasons why I love his music. I came to know Eminem’s music about eight years ago, when the soundtrack to the movie 8 mile first came out, and may I just say, that for someone like myself, whose rap knowledge was almost non-existent, I was completely struck by the level of intensity of the music, with its raw edginess, sung in an unapologetic, “in-your-face” defiance – never had I heard such a profound visceral quality in any popular form. And unlike some the other rap artists I’ve heard, nothing compares to Eminem’s enormously distinctive style: there is melody, form and structure. His rapping style is very unique: with his signature nasal quality, his rhyming patterns, speech rhythms and word alliterations - even when emphasizing syllables and word accents, are characteristically “Eminem” – stylistically distinctive and very musical.
Aside from the clever cover art -- his portrait constructed mosaic-like from all kinds of prescription pills – Relapse: Refill remains somewhat of an autobiographical saga: part truth, part fiction, peppered with personal revelations. As long-time friend and producer Dr. Dre states, “It’s hard core, it’s dark comedy, it’s what Eminem has always been…” On this 2-disc set, many tracks chronicle his near-destruction by prescription and non-prescription drugs. Some begin with spoken-dialogue vignettes or scenes that melodramatic, comedic, violent, or horror-filled in nature, which sets the stage for the song that follows. That said, some tracks are definitely not for the faint-hearted.
Finally, in the words of another great legend, whose duet with Eminem in “Stan” was by far, one of the most memorable opening numbers in the history of the Grammy Awards ceremonies, Elton John sums it up brilliantly:
Needless to say, these are not the reasons why I love his music. I came to know Eminem’s music about eight years ago, when the soundtrack to the movie 8 mile first came out, and may I just say, that for someone like myself, whose rap knowledge was almost non-existent, I was completely struck by the level of intensity of the music, with its raw edginess, sung in an unapologetic, “in-your-face” defiance – never had I heard such a profound visceral quality in any popular form. And unlike some the other rap artists I’ve heard, nothing compares to Eminem’s enormously distinctive style: there is melody, form and structure. His rapping style is very unique: with his signature nasal quality, his rhyming patterns, speech rhythms and word alliterations - even when emphasizing syllables and word accents, are characteristically “Eminem” – stylistically distinctive and very musical.
Aside from the clever cover art -- his portrait constructed mosaic-like from all kinds of prescription pills – Relapse: Refill remains somewhat of an autobiographical saga: part truth, part fiction, peppered with personal revelations. As long-time friend and producer Dr. Dre states, “It’s hard core, it’s dark comedy, it’s what Eminem has always been…” On this 2-disc set, many tracks chronicle his near-destruction by prescription and non-prescription drugs. Some begin with spoken-dialogue vignettes or scenes that melodramatic, comedic, violent, or horror-filled in nature, which sets the stage for the song that follows. That said, some tracks are definitely not for the faint-hearted.
Finally, in the words of another great legend, whose duet with Eminem in “Stan” was by far, one of the most memorable opening numbers in the history of the Grammy Awards ceremonies, Elton John sums it up brilliantly:
“Eminem is a true poet of this time, someone we’ll be talking about for decades to come. He tells stories in such a powerful and distinctive way. As a lyricist, he’s one of the best ever. Eminem does for his audience what Dylan did for his: He writes how he feels. His anger, vulnerability and humor come out. That’s why we look forward to listening to Eminem’s lyrics and finding out where the hell he’s headed next.”


